Andre Olbrich

About Chris Dingman

Chris Dingman began transcribing artist interviews with founder Ivan Chopik one November weekend in 2007, and before he knew it he was writing reviews, filming interviews and taking care of anything else that needed doing. As he adjusted to his new roles, Chris found himself drawn to the world behind the camera and began experimenting with video in his spare time. Now that he has graduated from Berklee College of Music, Chris is dedicating his time to developing his own videography career.

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Visit Chris Dingman's Website: https://guitarmessenger.com

Courses

Songwriting with Plini

Order Songwriting with Plini!

PROGRESSIVE PICKING with Stephen Taranto

Order PROGRESSIVE PICKING!

Scar Guitar

Per Nilsson's Guitar Instructional Course [PRE-ORDER: Release July 18]

THUMP! - Tosin Abasi's Guitar Instructional

Tosin Abasi's Guitar Instructional

The Madness of Javier Reyes

Javier Reyes of Animals as Leaders and Mestis breaks down some of his key techniques

Fingerpicking Foundations

With Javier Reyes of Animals As Leaders

The Madness of Tosin Abasi

With Tosin Abasi

Articles

Misha Mansoor Interview – Periphery (2012)

Since their influential debut album release in 2010, Periphery have morphed from a fledgling young group with an eclectic blend of styles into a modern...

Paul Masvidal Interview – Cynic

A mere decade ago, Cynic was somewhat of a password between fans of extreme metal – a secret handshake that itched at a curious footnote...

NAMM 2014: Tosin Abasi Interview @ Ibanez (Animals As Leaders)

Since revitalizing the landscape of instrumental music with their self-titled debut in 2009, Animals As Leaders‘ Tosin Abasi and his bandmates have been busy refining and...

Lessons

Artist Lick: Bobby Thompson of Job For A Cowboy

Bobby Thompson of Job For A Cowboy presents his Guitar Messenger Artist Lick - a dizzying flurry of diminished tapping, accompanied by an alternate-picked variation....

Arbitrary Chromatics: The Bonehead Easy Way To Get A Jazzy Sound

So, what are arbitrary chromatics? To say it simply, whenever you’re playing a minor (or major, or whatever mode) scale, in any position, you’ll have...

Polyphonic Writing for Keyboard: Part 1

Hello and welcome back to Beyond Theory. In this column I would like us to get away from THEORY altogether and look closer at texturing...